Nuovo sito per Casa della poesia. Cosa ne pensate? Inviateci un feedback
04/04/2011

creeley-robert-87 Bibliografia

Robert Creeley
Later: A Poem (West Branch, Iowa: Toothpaste Press, 1978);
Later (New York: New Directions, 1979; London: Marion Boyars, 1980);
Corn Close (Knotting, Bedfordshire, England: Sceptre Press, 1980);
Mother's Voice (Santa Barbara. Calif.: Am Here Books/Immediate Editions, 1981); The Collected Poems of Robert Creeley, 1945-1975 (Berkeley: University of California Press, 1982);
Echoes (West Branch, Iowa: Toothpaste Press, 1982);
A Calendar 1984 (West Branch, Iowa: Toothpaste Press, 1983);
Mirrors (New York: New Directions, 1983); The Collected Prose of Robert Creeley (New York and London: Marion Boyars, 1984; corrected edition, Berkeley: University of California Press, 1988);
Memory Gardens (New York: New Directions, 1986);
The Company (Providence: Burning Deck, 1988);
Window (Buffalo: The Poetry/Rare Books Collection, SUNY at Buffalo, 1988);
7 & 6 (Albuquerque: Hoshour Gallery, 1988);
"Autobiography," Contemporary Authors Autobiography Series, 10 (Detroit: Gale, 1989): 61-77; reprinted as Autobiography (Madras, India and New York: Hanuman, 1990); also reprinted in Tom Clark, Robert Creeley and the Genius of the American Common Place (NY: New Directions, 1993): 122-144. The Collected Essays of Robert Creeley (Berkeley : University of California Press, 1989);
Dreams (New York: Periphery / Salient Seedling Press, 1989);
It (Zurich, Switzerland: Bruno Bischofberger, 1989);
Robert Creeley: a Selection, 1945-1987 (New York: Dia Art Foundation, 1989);
Have a Heart (Boise: Limberlost Press, 1990);
Places (Buffalo: Shuffaloff Press, 1990);
Windows (New York: New Directions, 1990);
Gnomic Verses (La Laguna, Canary Islands: Zasterle Press, 1991);
The Old Days (Tarzana, Calif.: Ambrosia Press, 1991);
Selected Poems (Berkeley: University of California Press, 1991);
Life & Death (New York: Gagosian Gallery, 1993);
Echoes (New York: New Directions, 1994);
Loops: Ten Poems (Kripplebush, NY: Nadja, 1995).

RADIO SCRIPTS:
Listen, London, 1972.

OTHER:
Black Mountain Review, edited by Creeley (No. 1-7, Spring 1954-Autumn 1957); reprinted with an added introduction as Black Mountain Review (Vol. 1-3, New York: AMS Press, 1969);
Charles Olson, Mayan Letters, edited with a preface by Creeley (Palma de Mallorca, Spain: Divers Press, 1953; London: Cape, 1968);
New American Story, edited by Creeley and Donald Allen (New York: Grove, 1965; Harmondsworth, England: Penguin Books, 1971);
Selected Writings of Charles Olson, edited with an introduction by Creeley (New York: New Directions, 1966);
The New Writing in the USA, edited by Creeley and Allen with an introduction by Creeley (Harmondsworth, England: Penguin, 1967);
Whitman: Selected Poems, edited with an introduction by Creeley (Harmondsworth, England: Penguin, 1973);
The Essential Burns, edited with an introduction by Creeley (New York: Ecco, 1989);
Charles Olson, Selected Poems, edited with an introduction by Creeley (Berkeley: University of California Press, 1993).

Letters:
George F. Butterick, ed., Charles Olson & Robert Creeley: The Complete Correspondence, 8 vols. (Santa Barbara, Calif.: Black Sparrow Press, 1980 - ); volume 9 edited by Richard Blevins;
Ekbert Faas and Sabrina Reed eds., Irving Layton & Robert Creeley : the Complete Correspondence, 1953-1978 (Montreal: McGill-Queen's University Press, 1990).

Interviews:
Donald Allen, ed., Contexts of Poetry: Interviews 1961-1971 (Bolinas, Calif.: Four Seasons Foundation, 1973);
Ekbert Faas, Towards a New American Poetics: Essays and Interviews (Santa Barbara, Calif.: Black Sparrow Press, 1979): 165-198;
Tales Out of School: Selected Interviews (Ann Arbor: University of Michigan Press, 1993).

Bibliographies:
Willard Fox, Robert Creeley, Edward Dorn, and Robert Duncan: A Reference Guide (Boston, Mass.: G.K. Hall, 1989): 1-170;
Mary Novik, Robert Creeley: An Inventory, 1945-1970 (Kent, Ohio: Kent State University Press, 1973; Montreal: McGill-Queen's University Press, 1973);
Vincent Prestianni, "Robert Creeley: An Analytical Bibliography of Bibliographies," Sagetrieb 10, 1-2 (1991): 209-213.

Selected References:
Charles Altieri, "Robert Creeley's Poetics of Conjecture," Self and Sensibility in Contemporary American Poetry (Cambridge: Cambridge University Press, 1984): 101-131;
Charles Bernstein, "Hearing 'Here': Robert Creeley's Poetics of Duration," Contents Dream: Essays 1975-1984 (Los Angeles: Sun & Moon Press, 1986): 292-304; "Creeley's Eye and the Fiction of the Self," Review of Contemporary Fiction, forthcoming;
George F. Butterick, "Editor's Introduction," Charles Olson & Robert Creeley: The Complete Correspondence, Vol. 1 (Santa Barbara, Calif.: Black Sparrow Press, 1980): ix-xv;
Douglas Calhoun, ed., "Robert Creeley issue," Athanor 4 (Spring 1973);
Tom Clark, The Poetry Beat: Reviewing the Eighties (Ann Arbor: University of Michigan Press, 1990); Robert Creeley and the Genius of the American Common Place (New York: New Directions, 1993);
Joseph M. Conte, "One Thing Finding Its Place with Another: Robert Creeley's Pieces," Unending Design: the Forms of Postmodern Poetry (Ithica: Cornell University Press, 1991): 87-104;
Robert Creeley, "Thinking of You," The Review of Contemporary Fiction 8, no. 3 (Fall 1988): 82-85; Lecture, Berkeley Poetry Conference (July 23, 1965) [audiotape]; Letter to William Matheson, in William V. Spanos, ed., Robert Creeley: a Gathering, a special issue of Boundary 2: A Journal of Postmodern Literature 6, no. 3/7, no. 1 (1978): 488-90; Reading at the University of Buffalo (March 20, 1991) [audiotape];
Robert Duncan, "A Reading of Thirty Things," Boundary 2 6, no. 3-7, no.1 (Spring/Fall 1978): 293-299;
Richard Eberhardt, interview with Robert Creeley (Washington: Library of Congress, June 1, 1961) [Audio tape];
Cynthia Edelberg, Robert Creeley's Poetry: a Critical Introduction (Albuquerque: University of New Mexico Press, 1978);
Ekbert Faas, "Robert Creeley," Towards a New American Poetics: Essays and Interviews (Santa Barbara: Black Sparrow Press, 1979): 147-164;
Arthur L. Ford, Robert Creeley (Boston: Twayne Publishers, 1978);
Edward Halsey Foster, "Robert Creeley, Poetics of Solitude," Understanding the Black Mountain Poets (Columbia: University of South Carolina Press, 1994): 81-121;
Stephen Fredman, "'A Life Tracking Itself': Robert Creeley's Presences: A Text for Marisol," Poet's Prose: the Crisis in American Verse, 2nd. ed. (Cambridge: Cambridge University Press, 1990): 57-100;
Ernesto Livon Grosman, interview with Robert Creeley (New York: Radio Reading Project, 1992) [Radio broadcast];
Robert Hass, "Creeley: His Metric," Twentieth Century Pleasures: Prose on Poetry (New York: Ecco, 1984): 150-160;
Anselm Hollo, Sojourner Microcosms (Berkeley: Blue Wind Press, 1977);
Bruce Jackson and Diane Christian, Creeley (Buffalo: Documentary Research, 1988) [Motion picture];
Lewis MacAdam and John Dorr, Robert Creeley (Los Angeles: Lannan Foundation, 1990) [Videorecording];
Ann Mandel, Measures: Robert Creeley's Poetry (Toronto: The Coach House Press, 1974);
"Multiples & Objects & Books," Print Collector's Newsletter 24 (Jan/Feb 1994): 227-28;
Charles Olson, "For R. C.," Olson: the Journal of the Charles Olson Archives 6 (Fall, 1976); Selected Writings of Charles Olson (New York: New Directions, 1966);
Sherman Paul, "A Letter on Rosenthal's 'Problems of Robert Creeley,'" Boundary 2: A Journal of Postmodern Literature 3, no. 3 (Spring 1975): 747-60; The Lost America of Love: Rereading Robert Creeley, Edward Dorn, and Robert Duncan (Baton Rouge: Louisiana State University Press, 1981): 1-73;
Ted Pearson, in "Robert Creeley and the Politics of the Person," Poetics Journal 9 (June 1991): 159-164;
Marjorie Perloff, "Four Times Five: Robert Creeley's The Island," Boundary 2 6, no. 3-7, no.1 (Spring/Fall 1978): 491-507;
M. L. Rosenthal, "Problems of Robert Creeley," Parnassus 2, no. 1 (Fall/Winter 1973): 205-14;
Meyer Rubinstein, review of 7&6 in Flash Art no. 152 (May/June 1990): 188;
Ron Silliman, "Language, Realism, Poetry," In the American Tree (Orono, ME: National Poetry Foundation, University of Maine at Orono, 1986): xv-xxiii;
William V. Spanos, "'The Fact of Firstness': A Preface," Robert Creeley: a Gathering, a special issue of Boundary 2: A Journal of Postmodern Literature 6, no. 3/7, no. 1 (1978): 1-8;
Warren Tallman, Three Essays on Creeley (Toronto: Coach House Press, 1973);
Carroll F. Terrell, ed., Robert Creeley: the Poet's Workshop (Orono: National Poetry Foundation, University of Maine at Orono, 1984);
Jack Tworkov in The New American Painting As Shown in Eight European Countries, 1958-1959. Reprint ed. (New York: Museum of Modern Art, 1972).;
Robert Von Hallberg, "Robert Creeley and John Ashbery: Systems," American Poetry and Culture, 1945-1980 (Cambridge: Harvard University Press, 1985): 36-61;
John Wilson, ed. Robert Creeley's Life and Work : A Sense of Increment (Ann Arbor: University of Michigan Press, 1988);
William Carlos Williams, Imaginations. New York: New Directions, 1970.

Papers:
The major collection of Creeley manuscripts and correspondence are housed in Special Collections, Stanford University, Stanford, California;
Other collections include: Beinecke Rare Book and Manuscript Library of the Yale University Library, New Haven, Connecticut (correspondence with William Carlos Williams);
Humanities Research Center, University of Texas Libraries, Austin (correspondence with Ezra Pound and Louis Zukofsky);
John M. Olin Library, Washington University, St. Louis, Missouri (manuscripts and correspondence predating 1965);
Lilly Library, University, Bloomington (manuscripts and correspondance with Cid Corman);
Simon Fraser University Library, Burnaby, British Columbia, Canada (correspondence with Richard Emerson);
University of Connecticut Library, Storrs (correspondence with Charles Olson).
Robert Creeley è nato ad Arlington, Massachusetts, il 21 maggio del 1926. Ha frequentato la Harvard University dal 1943 al 1946, dal 1944 al 1945 ha lavorato per l’American Field Service in Burma e in India. Nel 1946 ha pubblicato la sua prima poesia, in Harvard magazine Wake. In 1949 comincia la sua corrispondenza con William Carlos Williams ed Ezra Pound. L’anno seguente conobbe il poeta Charles Olson. Nel 1954, come rettore del Black Mountain College (un college di arte sperimentale in...